Egyptian Rugs

Mamluk Rugs - Egyptian Carpet Heritage

Early Egyptian rug weaving can be divided into the two periods of Mamluks and Ottomans. Egypt's greatest period of rug weaving was during the rule of Mamluks from the fifteenth century until the early sixteenth century. Rugs produced during this time were known as Mamluks. Mamluk sultans were generous patrons of the Islamic arts and the time of their reign was considered to be the pinnacle of Islamic Art in Egypt. After the conquest of Ottoman Turks in 1517, the rugs took on more Turkish influence and were known as Ottomans. After the eighteenth century, rug production decreased dramatically in Egypt. However, in the 1950’s because of import restrictions, Egypt began to produce handmade rugs in and around Cairo.

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Mamluk rugs are extremely rare and are considered to be the finest carpets ever produced. They are created in a three-color palette of jewel-toned reds, blues and greens, and feature magnificent designs based on geometric shapes and stylized leaf forms. The use of simple geometric forms repeated within circles and squares. Mamluk rug design often features a central square set within a rectangular format. Within the central square there is generally a central geometric motif. The leaf forms in clusters and vines are found in the borders and background and represent Arabic calligraphy. There are equal number of knots in both horizontal and vertical directions that allowed weavers to create perfect circles and squares.  They also have a striking color and sheen from the use of high-quality wools and saturated dyes.

Ottoman carpets, first woven in Cairo between the years 1540 and 1550, have a combination of colors and designs similar to the jewel-tone and geometric shapes found in Mamluk carpets. Soon after, the naturalistic style of the Ottoman palace carpets began to gain predominance and the Ottomans naturalistic style began to appear. Designs using lancet leaves (saz), palmettes and medallions combined with naturalistic motifs of tulips, hyacinths, carnations and pomegranates began to appear. Also Persian (Sine) knots instead of the Turkish were employed, giving the carpets extremely rich and elegant designs.  The arrangement of medallions started to take a secondary role in the design.

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